8 – 14 June (7 Screenings)
Pandora’s Box (Dir. G W Pabst, Ger, 1929) (Screening format – DCP, 135mins) Based on two plays by the German author Frank Wedekind, Erdgeist (Earth Spirit, 1895), which Pabst himself had directed for the stage, and Die Büchse der Pandora (Pandora’s Box, 1904), the silent drama follows the tumultuous life of the showgirl Lulu whose unselfconscious sexuality brings about the ruin of all those that fall for her and eventually her own. In a daring move, Pabst chose a little known American actress over the more experienced Marlene Dietrich for the part of Lulu, a decision that made the young Louise Brooks an international star. Her innocent looks paired with her natural erotic allure and sense of movement – Brooks was also a dancer – perfectly matched Pabst’s idea of his heroine as unwitting seductress. Subjected to cuts to eliminate some of its “scandalous” content and unfavourably reviewed by critics at the time, it is now considered one of the boldest and most modern films of the Weimar era highlighting Pabst’s command of camera language and montage. Find out more at silentlondon.co.uk . With recorded soundtrack. Irish Film Institute, Dublin Link
Dawson City – Frozen Time (Dir. Bill Morrison, US, 2016) This documentary pieces together the bizarre true story of a collection of some 500 films dating from 1910s – 1920s, which were lost for over 50 years until discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle. Using these permafrost protected, rare silent films and newsreels, archival footage, interviews and historical photographs to tell the story, and accompanied by an enigmatic score by Sigur Rós collaborator and composer Alex Somers (Captain Fantastic), Dawson City: Frozen Time depicts a unique history of a Canadian gold rush town by chronicling the life cycle of a singular film collection through its exile, burial, rediscovery, and salvation – and through that collection, how a First Nation hunting camp was transformed and displaced. Find out more at picturepalacepictures.com Irish Film Institute, Dublin Link
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